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描寫(xiě)莫奈和莫奈作品的英語(yǔ)作文
導(dǎo)語(yǔ)：莫奈一生遺留500件素描，2000多幅油畫(huà)及2700封信件。足跡由巴黎大街到地中海岸，從法國(guó)到倫敦、威尼斯、挪威，在各地旅行寫(xiě)生，留下無(wú)數(shù)的作品。下面是yuwenmi小編為大家整理的優(yōu)秀英語(yǔ)作文，歡迎閱讀與借鑒，謝謝!
My Idol
Monet, Claude (b. Nov. 14, 1840, Paris, Fr.--d. Dec. 5, 1926, Giverny) French painter, initiator, leader, and unswerving advocate of the Impressionist style. He is regarded as the archetypal Impressionist in that his devotion to the ideals of the movement was unwavering throughout his long career, and it is fitting that one of his pictures--Impression: Sunrise (Musée Marmottan, Paris; 1872)--gave the group his name. His youth was spent in Le Havre, where he first excelled as a caricaturist but was then converted to landscape painting by his early mentor Boudin, from whom he derived his firm predilection for painting out of doors. In 1859 he studied in Paris at the Atelier Suisse and formed a friendship with Pissarro. After two years' military service in Algiers, he returned to Le Havre and met Jongkind, to whom he said he owed `the definitive education of my eye'. He then, in 1862, entered the studio of Gleyre in Paris and there met Renoir, Sisley, and Bazille, with whom he was to form the nucleus of the Impressionist group. Monet's devotion to painting out of doors is illustrated by the famous story concerning one of his most ambitious early works, Women in the Garden (Musée d'Orsay, Paris; 1866-67). The picture is about 2.5 meters high and to enable him to paint all of it outside he had a trench dug in the garden so that the canvas could be raised or lowered by pulleys to the height he required. Courbet visited him when he was working on it and said Monet would not paint even the leaves in the background unless the lighting conditions were exactly right.
【參考譯文】
莫尼特，克勞德(生于1840年11月14日，巴黎，果- 1926年12月5日，吉維尼)法國(guó)畫(huà)家，發(fā)起者，領(lǐng)導(dǎo)者，堅(jiān)定不移的印象派風(fēng)格的倡導(dǎo)者。他是典型的印象派，在他漫長(zhǎng)的職業(yè)生涯，他的運(yùn)動(dòng)獻(xiàn)身的理想是堅(jiān)定的，這是他的一個(gè)圖片——印象配件：日出(畝ée Marmottan，巴黎;1872)--給集團(tuán)的他的名字。他的青年時(shí)代是在勒阿弗爾度過(guò)的，在那里他第一次作為一個(gè)出色的漫畫(huà)家接著他早期的導(dǎo)師布丹轉(zhuǎn)換為山水畫(huà)，從他得到他的畫(huà)門(mén)公司的偏好。1859，他在瑞士商學(xué)院在巴黎學(xué)習(xí)，與畢沙羅建立了友誼。兩年在阿爾及爾服兵役后，他回到勒阿弗爾，見(jiàn)到了Jongkind，他說(shuō)他欠我的眼睛`權(quán)威教育。然后，在1862，進(jìn)入巴黎的工作室和Gleyre那里遇到雷諾阿，希思黎，和巴齊爾，與他形成了印象派組的核心。莫尼特對(duì)畫(huà)門(mén)出著名的故事，關(guān)于他的.一個(gè)最雄心勃勃的早期作品，花園中的女人(小éE博物館，巴黎;1866-67)。這幅畫(huà)大約有2.5米高，能讓他畫(huà)出所有的畫(huà)，他在花園里挖了一條溝，這樣帆布就可以由滑輪提升或降低到他所需要的高度。庫(kù)爾貝在他工作的時(shí)候拜訪了莫尼特，他說(shuō)，除非燈光條件完全正確，否則他不會(huì)在背景下畫(huà)樹(shù)葉。
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